Category: Sony FS RAW Post Workflow LUTs
 
Files:
zip.png Sony FS RAW Match ProRes (Compensation LUTs) HOT

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Download includes the following LUTs:

  • FS700_BMF_SL2_EE.cube
  • FS7_3200K_EI2000_BMF_SL3_SG3C_EE.cube
  • FS7_5500K_EI2000_BMF_SL3_SG3C_EE.cube


Created
Size
2016-06-21
2.2 MB
zip.png Sony FS5 RAW Post Workflow LUTs (ALL) August 2016 HOT

Download

Contains the following LUT files:

  • FS5_3200K_BMF_SL2_SG_EE_v2.cube
  • FS5_3200K_BMF_SL3C_EE_v2.cube
  • FS5_4300K_BMF_SL3C_EE_v2.cube
  • FS5_5500K_BMF_SL2_SG_EE_v2.cube
  • FS5_5500K_BMF_SL3C_EE_v2.cube
  • FS7_3200K_EI2000_BMF_SL3_SG3C_EE.cube
  • FS7_5500K_EI2000_BMF_SL3_SG3C_EE.cube
  • FS700_BMF_SL2_EE.cube

Knowledgebase Article: Sony FS RAW and Odyssey7Q/7Q+ Workflow Guide



Created
Size
2016-08-08
6.56 MB
lut.png FS5_3200K_BMF_SL2_SG_EE.cube August 2016 HOT

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FS5 3200K Blackmagic Film to S-Log2/S-Gamut (For use with DNGs in Resolve)
Use this LUT in Resolve with FS5 RAW material shot at, or around, 3200K and decoded as Blackmagic Film, to give a good match to the camera's S-Log2/S-Gamut output.



Created
Size
2016-08-02
6.75 MB
lut.png FS5_5500K_BMF_SL2_SG_EE.cube August 2016 HOT

Download

FS5 5500K Blackmagic Film to S-Log2/S-Gamut (For use with DNGs in Resolve)
Use this LUT in Resolve with FS5 RAW material shot at, or around, 5500K and decoded as Blackmagic Film, to give a good match to the camera's S-Log2/S-Gamut output.



Created
Size
2016-08-02
6.75 MB
lut.png FS5_EE_3200K_RPR_REV_LC709A.cube August 2016 HOT

Download

FS5 RAW to ProRes at 3200K to LC709A, for firmware 2016.06 (For use in Resolve or the Odyssey with 2016.06 RAW to ProRes)
Use this LUT with FS5 RAW to ProRes material shot at, or near, 3200K, in place of the preset SONY_EE_Slog2_LC709A.cube LUT. This is a modified version of that LUT, which incorporates a matrix correction to give a good match to the result of applying the preset LUT to the camera's S-Log2 output. 

NOTE: Under future firmware the matrix will be incorporated into the RAW to ProRes recordings, so the modified LUT will not be needed.



Created
Size
2016-08-02
6.75 MB
lut.png FS5_EE_3200K_RPR_REV_LC709A-1.cube August 2016 HOT

Download

FS5 RAW to ProRes at 3200K to LC709A, with one stop compensation, for firmware v2016.06
Use this LUT with FS5 RAW to ProRes material shot at, or near, 3200K with one stop overexposure, in place of the preset SONY_EE_SL2_L709A-1.cube LUT. This is a modified version of that LUT, which incorporates a matrix correction to give a good match to the result of applying the preset LUT to the camera's S-Log2 output.

NOTE: Under future firmware the matrix will be incorporated into the RAW to ProRes recordings, so the modified LUT will not be needed.



Created
Size
2016-08-02
947.71 KB
lut.png FS5_EE_3200K_RPR_REV_LC709A-2.cube August 2016 HOT

Download

FS5 RAW to ProRes at 3200K to LC709A, with two stop compensation, for firmware 2016.06
Use this LUT with FS5 RAW to ProRes material shot at, or near, 3200K with two stop overexposure, in place of the preset SONY_EE_SL2_L709A-2.cube LUT. This is a modified version of that LUT, which incorporates a matrix correction to give a good match to the result of applying the preset LUT to the camera's S-Log2 output.

NOTE: Under future firmware the matrix will be incorporated into the RAW to ProRes recordings, so the modified LUT will not be needed.



Created
Size
2016-08-02
947.7 KB
lut.png FS5_EE_5500K_RPR_REV_LC709A.cube August 2016 HOT

Download

FS5 RAW to ProRes at 5500K to LC709A, for firmware 2016.06
Use this LUT with FS5 RAW to ProRes material shot at, or near, 5500K, in place of the preset SONY_EE_Slog2_LC709A.cube LUT. This is a modified version of that LUT, which incorporates a matrix correction to give a good match to the result of applying the preset LUT to the camera's S-Log2 output.

NOTE: Under future firmware the matrix will be incorporated into the RAW to ProRes recordings, so the modified LUT will not be needed.



Created
Size
2016-08-02
947.71 KB
lut.png FS5_EE_5500K_RPR_REV_LC709A-1.cube August 2016 HOT

Download

FS5 RAW to ProRes at 5500K to LC709A, with one stop compensation, for firmware 2016.06
Use this LUT with FS5 RAW to ProRes material shot at, or near, 5500K with one stop overexposure, in place of the preset SONY_EE_SL2_L709A-1.cube LUT. This is a modified version of that LUT, which incorporates a matrix correction to give a good match to the result of applying the preset LUT to the camera's S-Log2 output.

NOTE: Under future firmware the matrix will be incorporated into the RAW to ProRes recordings, so the modified LUT will not be needed.



Created
Size
2016-08-02
947.7 KB
lut.png FS5_EE_5500K_RPR_REV_LC709A-2.cube August 2016 HOT

Download

FS5 RAW to ProRes at 5500K to LC709A, with two stop compensation, for firmware 2016.06
Use this LUT with FS5 RAW to ProRes material shot at, or near, 5500K with two stop overexposure, in place of the preset SONY_EE_SL2_L709A-2.cube LUT. This is a modified version of that LUT, which incorporates a matrix correction to give a good match to the result of applying the preset LUT to the camera's S-Log2 output.

NOTE: Under future firmware the matrix will be incorporated into the RAW to ProRes recordings, so the modified LUT will not be needed.



Created
Size
2016-08-02
947.7 KB

Odyssey Firmware

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Convergent Design constantly works to add more features and functionality to the Odyssey family of professional monitor/recorders. This release includes new features & functionality and adds more power, performance and versatility to the Odyssey7Q+, Odyssey7Q and Odyssey7.

Use the Download Wizard on this page to find the downloads you need.

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